Compare Meze Audio 105 Silva Headphones vs Gadhouse Wesley Retro Headphones

ANC is not part of the Wesley package; coverage explicitly frames active noise cancellation as absent, so buyers should not expect active hush from this retro wired design.

Its wired connection is presented as low-latency and free of the Bluetooth delay issues that can throw off lip-sync or gaming timing.

Bass is generally controlled and textured, with some listeners hearing a fuller, pillowy low end and others calling it restrained or dry compared with bassier alternatives. Sub-bass is present but not the main emphasis, so slam-heads may want more weight.

Bass is adequate for casual listening but loses control as volume rises, with the clearest hands-on review calling out muddiness and low-end smearing.

Build quality is consistently described as excellent, with premium materials, tight assembly, and a refined feel. Several reviews highlight serviceability and long-term durability as part of the value proposition.

Construction looks simple but respectable for the price, with a stainless steel or robust headband noted alongside very light materials rather than heavy premium heft.

Multiple sources highlight 48kHz lossless playback over USB-C as a useful modern upgrade on an otherwise old-school wired design.

Inline controls are consistently described as easy, tactile, and intuitive for playback, track skipping, and everyday use.

Cable impressions are mixed: many find the stock cable sturdy and functional, but some report microphonics or less-than-ideal ergonomics, and several note the lack of a balanced stock option.

The fixed 1.5 meter cable fits the retro concept but is also the biggest ergonomic drawback, with tangling and cumbersome handling called out.

The included hard/semi-hard case is widely praised as well-made and protective, with room for cables/adapters and a secure zipper. It supports storage and occasional transport effectively.

Because the Wesley is fully wired, there is nothing to charge; several pieces frame that as a real convenience for commuting and plug-and-play use.

Clamp force is generally described as moderate and well-distributed, supporting stability without obvious pain. A handful of impressions mention the clamp feeling a bit tight out of the box, with minor adjustment/break-in helping.

Available hands-on impressions suggest an easy, non-fatiguing fit rather than an overly tight clamp, helping comfort over longer sessions.

Comfort is a consistent strength: the self-adjusting suspension design and soft pads enable long listening sessions for most people. A few note fit quirks (small cups for some ears or clamp that starts slightly tight).

Comfort is one of the product's clearest strengths thanks to its light build and soft foam pads, with multiple reviews describing it as easy to wear for extended listening.

Design is a standout, with walnut accents and Meze’s mid-century styling repeatedly called premium-looking and distinctive. Even critics of the tuning tend to praise the aesthetics and finish quality.

Retro styling is the Wesley's standout trait, repeatedly positioned as a nostalgic statement piece that channels Walkman-era fashion.

The detachable dual 3.5mm system is convenient for replacement, yet recessed/narrow connector sizing can limit third-party cable compatibility compared with more universal designs. Connection security itself is generally praised.

The included USB-C DAC dongle/adapter is viewed as a nice convenience for modern devices, generally adequate for casual listening. Enthusiast reviewers still expect better performance from dedicated DAC/amps.

Velour/suede pads are commonly described as plush, breathable, and comfortable, helping distribute pressure and avoid hotspots. Some users wish for a touch more ear room, but pad comfort is still rated highly.

The foam pads are described as soft and squishy, supporting the headphone's strong comfort story even if they are not plush modern luxury pads.

Cup articulation is generally sufficient for a good seal/fit, with tilt helping the pads conform, though some describe movement as limited compared with more freely articulating designs.

Tonality is often described as balanced or smooth rather than strictly neutral, with a coherent frequency integration that avoids obvious bloat. Some characterize it as tastefully colored (warm-bright/W-shaped) rather than reference-flat.

The auto/self-adjusting headband system is repeatedly singled out as one of the best parts of the design, requiring little to no fiddling while spreading pressure evenly. It also helps with consistent fit and comfort over time.

The adjustable sizing system appears straightforward and functional, with sliders and a snug fit mentioned in coverage.

Build discussions suggest robust hinges and a durable chassis, with spring-steel structures and solid joints expected to hold up well over years of use.

Accessories are generally seen as generous for the price: a protective case, cables, and adapters (often including USB-C). The main recurring complaint is the absence of a balanced cable in the box.

Accessory support is better than expected for the price, with 3.5mm, 6.35mm, and USB-C connection options regularly highlighted.

Instrument separation and imaging are widely regarded as excellent for the price, helping complex mixes stay organized and making positional cues easy to track. Even reviewers who nitpick tuning tend to credit the Silva’s placement and delineation.

Separation is passable at moderate levels but weakens noticeably when mixes get busier or volume climbs.

An inline mic is consistently included for calls and basic voice use, though the coverage says more about availability than exceptional call performance.

When pushed louder, reviewers who mention it report the presentation staying composed, with bass and treble control holding together without obvious strain.

High-volume performance is the product's clearest weakness, with sound becoming muddy and less separated when pushed.

Midrange is a highlight for many, with clear, forward vocals/instruments and an overall transparent character. A few note that certain vocal ranges can sound a bit thin, scooped, or pushed depending on recording and pairing.

Vocals and mids come through more cleanly than the rest of the range, making speech and vocal-forward tracks a relative strength.

Reviewers frequently describe good compatibility across sources (phones with dongles, laptops, DAPs, and desktop amps), helped by easy drivability. Some note it scales with source quality and can reveal harshness from poor gear.

With included adapters and standard wired connections, the Wesley is framed as easy to use across phones, laptops, music players, and older audio gear.

As open-backs, passive isolation is low and sound leakage is expected; a couple of reviewers note mild attenuation compared to very open designs, but these are still best for quiet rooms.

Portability is mixed: they’re easy to drive and include a protective case, but the open-back design and size make them better suited to home or quiet environments than true travel/commute use.

The headphones are light and not bulky, but portability is undercut by the long fixed cable and lack of a carry case.

Where discussed, earpads are replaceable and intended for long-term ownership, with guides or documentation supporting pad swaps and maintenance.

Battery-free, app-free, firmware-free operation makes the Wesley extremely simple to use: plug it in and go.

Across reviews, the 105 Silva is described as an engaging open-back with a premium “Meze” presentation: natural timbre, strong technicalities for the price, and a tuning that favors musical enjoyment over strict neutrality. A minority find the voicing less competitive on pure sound-per-dollar versus cheaper rivals without EQ.

Overall sound lands in the decent-but-not-audiophile camp: fine for casual listening and clear vocals, but not consistently refined or competitive with stronger sound-focused rivals. The wired setup brings dependable low-latency listening and potentially cleaner lossless playback, but the sonic payoff still depends on expectations because the tuning remains modest.

Soundstage impressions vary: some describe it as expansive, airy, and three-dimensional, while others find it only moderately wide or a touch narrow with limited depth/layering. Imaging is commonly cited as more consistent than sheer stage size.

At least one hands-on review found the presentation somewhat hollow and not especially spacious, so staging is not a major selling point.

Fit stability is usually strong thanks to moderate clamp and the suspension design, with reports of little slippage and secure positioning. One review flags potential fit issues for smaller heads due to the frame geometry.

Sustainability is repeatedly tied to Meze’s serviceable approach: parts can be replaced rather than discarding the headphone, supporting longevity and repairability over time.

Treble is typically praised for clarity and refinement, but several reviews note peaks/extra air that can sound a little spicy, sizzly, or less forgiving on bright or compressed tracks. Others hear it as smooth and well-balanced for long sessions.

Treble is generally clear enough for casual use, though it does not fully escape the broader softness and muddiness heard at higher volumes.

USB-C support comes via an included adapter/dongle, enabling plug-and-play use with phones and computers lacking a headphone jack. It’s positioned as convenience rather than a high-end solution.

USB-C support is a major practical plus, letting the Wesley connect to modern devices while still keeping its wired retro identity.

Multiple reviews call the 105 Silva very easy to drive (high sensitivity, modest impedance) and capable of reaching loud listening levels from phones, dongles, laptops, and DAPs. Higher-quality sources can still improve refinement and control.

At roughly mid-300g, the Silva isn’t ultra-light, but reviewers frequently say it feels lighter on-head due to excellent weight distribution. Most report minimal fatigue from weight during extended sessions.

At roughly 105 grams, the Wesley is unusually light for an over-ear, and that featherweight feel is repeatedly praised.