Compare Meze Audio 105 Silva Headphones vs Focal Bathys MG Wireless Headphones

ANC is good to very good and clearly improved over the original, but the consensus is that Sony and Bose still cancel more noise overall, especially in the mids. The three-mode ANC system gives useful control with Silent, Soft, and Transparency options, even though there is no true ANC-off mode.

Android support is straightforward, with repeated references to Android compatibility in specs, pairing, and app support.

The Focal & Naim app is useful for basics like ANC, EQ, personalization, lighting, and battery view, but several reviewers find it limited or occasionally glitchy.

aptX support is a clear plus and is repeatedly listed as part of the headphone's strong everyday wireless feature set.

Bass is generally controlled and textured, with some listeners hearing a fuller, pillowy low end and others calling it restrained or dry compared with bassier alternatives. Sub-bass is present but not the main emphasis, so slam-heads may want more weight.

Bass is generally praised for depth, slam, texture, and control, though several reviewers note the default tuning can run a little warm, boomy, or heavy before EQ.

Battery life is solid rather than class-leading, with the commonly cited 30-hour Bluetooth figure generally holding up well in real use. Battery replacement appears possible through Focal service rather than as a user-swappable design, offering some serviceability without true end-user replaceability.

Bluetooth performance is usually stable with fast pairing and dependable everyday use, but a few reports mention quirks rather than flawless behavior.

Build quality is consistently described as excellent, with premium materials, tight assembly, and a refined feel. Several reviews highlight serviceability and long-term durability as part of the value proposition.

Build quality is one of the strongest consensus positives, with premium materials, excellent finishing, and solid construction throughout.

The built-in DAC and hi-res USB playback are among the headphone's clearest differentiators, and many reviewers treat DAC mode as a headline feature.

Physical controls are a strength, with tactile buttons and switches that are generally easier to trust than touch panels.

Cable impressions are mixed: many find the stock cable sturdy and functional, but some report microphonics or less-than-ideal ergonomics, and several note the lack of a balanced stock option.

The included cables are generally described as acceptable to durable, even if they are not luxurious extras.

The included hard/semi-hard case is widely praised as well-made and protective, with room for cables/adapters and a secure zipper. It supports storage and occasional transport effectively.

The carry case is repeatedly praised as protective, slim, and premium, even if a few users still find it bulky in a bag.

Fast charging is a practical plus, with the widely repeated 15-minute top-up for roughly five hours of playback.

Clamp force is generally described as moderate and well-distributed, supporting stability without obvious pain. A handful of impressions mention the clamp feeling a bit tight out of the box, with minor adjustment/break-in helping.

Clamp is generally better judged than on the original Bathys, feeling secure without being overly oppressive for most listeners.

Codec support is serviceable rather than cutting-edge: aptX and aptX Adaptive are welcome, but multiple reviews call out the lack of broader premium codec coverage.

Comfort is a consistent strength: the self-adjusting suspension design and soft pads enable long listening sessions for most people. A few note fit quirks (small cups for some ears or clamp that starts slightly tight).

Long-session comfort is one of the Bathys MG's most consistent wins, with many reviewers praising fatigue-free wear over flights, workdays, or extended listening.

Design is a standout, with walnut accents and Meze’s mid-century styling repeatedly called premium-looking and distinctive. Even critics of the tuning tend to praise the aesthetics and finish quality.

Design is a major selling point, with the chestnut finish, leather, metal accents, and illuminated logo giving the Bathys MG a clearly luxurious identity.

The detachable dual 3.5mm system is convenient for replacement, yet recessed/narrow connector sizing can limit third-party cable compatibility compared with more universal designs. Connection security itself is generally praised.

The included 3.5mm and USB-C wired options add real convenience for travel, desk use, and higher-quality listening beyond Bluetooth.

The included USB-C DAC dongle/adapter is viewed as a nice convenience for modern devices, generally adequate for casual listening. Enthusiast reviewers still expect better performance from dedicated DAC/amps.

Velour/suede pads are commonly described as plush, breathable, and comfortable, helping distribute pressure and avoid hotspots. Some users wish for a touch more ear room, but pad comfort is still rated highly.

Softer, more supple pads are a meaningful upgrade, improving comfort, seal, and overall premium feel.

Cup articulation is generally sufficient for a good seal/fit, with tilt helping the pads conform, though some describe movement as limited compared with more freely articulating designs.

The cups offer enough articulation to sit comfortably and fold flat, but the headphone is not especially compact and does not fold into a tighter travel shape.

EQ is helpful and usable, but the five-band structure is repeatedly described as limited compared with fuller parametric options.

Tonality is often described as balanced or smooth rather than strictly neutral, with a coherent frequency integration that avoids obvious bloat. Some characterize it as tastefully colored (warm-bright/W-shaped) rather than reference-flat.

Reviewers consistently describe the tonal balance as natural, balanced, or close to reference in the better presets, with cleaner frequency relationships than the original Bathys.

The auto/self-adjusting headband system is repeatedly singled out as one of the best parts of the design, requiring little to no fiddling while spreading pressure evenly. It also helps with consistent fit and comfort over time.

The headband and slider system is easy to adjust and feels premium, helping users dial in fit without fuss.

Build discussions suggest robust hinges and a durable chassis, with spring-steel structures and solid joints expected to hold up well over years of use.

The yokes and hinge-related hardware are widely described as sturdy, well finished, and built to last.

Accessories are generally seen as generous for the price: a protective case, cables, and adapters (often including USB-C). The main recurring complaint is the absence of a balanced cable in the box.

The included bundle is straightforward but useful, typically covering the hard case plus 3.5mm and USB-C cables.

Instrument separation and imaging are widely regarded as excellent for the price, helping complex mixes stay organized and making positional cues easy to track. Even reviewers who nitpick tuning tend to credit the Silva’s placement and delineation.

Instrument separation is frequently singled out as excellent, with strong channel separation, precise placement, and the ability to keep dense mixes organized.

The built-in mic setup is a practical part of the package, handling calls, assistants, and ANC duties without standing out as a weak point.

LDAC is a notable omission and one of the most commonly cited feature complaints at this price.

When pushed louder, reviewers who mention it report the presentation staying composed, with bass and treble control holding together without obvious strain.

At louder playback levels the Bathys MG generally stays composed and detailed, but some reviewers still hear treble edge on bright material, so max-volume behavior is good rather than perfect.

The microphone array does a respectable job suppressing background noise and keeping speech intelligible, though wind and harsher noise are not fully erased.

Call quality is generally solid, with voices coming through clearly and naturally even if the very best Sony-style call performance is still a step ahead.

Midrange is a highlight for many, with clear, forward vocals/instruments and an overall transparent character. A few note that certain vocal ranges can sound a bit thin, scooped, or pushed depending on recording and pairing.

Midrange performance is a major strength, delivering clear, rich, weighty instruments and improved vocal/instrument resolution over the original, even if a few reviewers wanted vocals pushed further forward.

Reviewers frequently describe good compatibility across sources (phones with dongles, laptops, DAPs, and desktop amps), helped by easy drivability. Some note it scales with source quality and can reveal harshness from poor gear.

The Bathys MG works broadly across phones, computers, tablets, and wired sources, making it easy to use across mixed-device setups.

Multipoint is supported and often works well, though several reviewers mention occasional switching quirks that keep it from feeling completely polished.

As open-backs, passive isolation is low and sound leakage is expected; a couple of reviewers note mild attenuation compared to very open designs, but these are still best for quiet rooms.

Passive isolation benefits from the over-ear seal and softer pads, though seal sensitivity with glasses is noted by at least one reviewer and total isolation still leans on ANC.

Portability is mixed: they’re easy to drive and include a protective case, but the open-back design and size make them better suited to home or quiet environments than true travel/commute use.

Portability is decent for a premium over-ear: the headphone folds flat and the revised case is slimmer, but it still is not a truly compact travel design.

Preset profiles, especially Dynamic, are viewed positively and can materially improve tonal balance depending on listener taste.

Where discussed, earpads are replaceable and intended for long-term ownership, with guides or documentation supporting pad swaps and maintenance.

Replaceable earpads are explicitly mentioned and add welcome long-term serviceability.

Convenience sensors are sparse, with at least one reviewer specifically calling out the lack of wear detection.

Sidetone adjustment is present in the app, but it is not explored deeply enough in reviews to suggest anything beyond basic usefulness.

Setup is usually straightforward, but the app and feature set are not always as polished or flexible as the best consumer-audio ecosystems.

Across reviews, the 105 Silva is described as an engaging open-back with a premium “Meze” presentation: natural timbre, strong technicalities for the price, and a tuning that favors musical enjoyment over strict neutrality. A minority find the voicing less competitive on pure sound-per-dollar versus cheaper rivals without EQ.

Across the file, the Bathys MG is repeatedly described as one of the best-sounding wireless headphones available, with standout refinement, detail, dynamics, and realism. Wired listening is a real strength, especially in USB-DAC mode, with reviewers repeatedly hearing cleaner, higher-resolution playback than over standard Bluetooth.

Soundstage impressions vary: some describe it as expansive, airy, and three-dimensional, while others find it only moderately wide or a touch narrow with limited depth/layering. Imaging is commonly cited as more consistent than sheer stage size.

For a closed-back wireless design, the Bathys MG earns unusually strong soundstage marks, with convincing width, layering, and better spatial openness than most ANC rivals.

Spatial audio is absent, and several reviewers explicitly note that Focal prioritized core sound over that feature.

Fit stability is usually strong thanks to moderate clamp and the suspension design, with reports of little slippage and secure positioning. One review flags potential fit issues for smaller heads due to the frame geometry.

Fit stability is mostly good for seated use and commuting, but a few comments suggest movement-related thumping or shifting during more active use.

Sustainability is repeatedly tied to Meze’s serviceable approach: parts can be replaced rather than discarding the headphone, supporting longevity and repairability over time.

The packaging and material story show some environmental consideration, including recycled or FSC-style materials in the box and presentation.

There are no touch controls here, so anyone wanting swipe gestures or tap controls will not find them.

Transparency mode is considered effective and natural enough for conversations and situational awareness without removing the headphones.

Treble is typically praised for clarity and refinement, but several reviews note peaks/extra air that can sound a little spicy, sizzly, or less forgiving on bright or compressed tracks. Others hear it as smooth and well-balanced for long sessions.

Treble is mostly clear, smooth, and detailed, but a few reviewers hear some edge or heat up top, especially on bright recordings or at louder levels.

USB-C support comes via an included adapter/dongle, enabling plug-and-play use with phones and computers lacking a headphone jack. It’s positioned as convenience rather than a high-end solution.

USB-C is central to the product experience, handling charging and the high-value DAC mode for higher-resolution wired playback.

Voice assistant access is built in and works as expected through the dedicated button and supported platforms.

Multiple reviews call the 105 Silva very easy to drive (high sensitivity, modest impedance) and capable of reaching loud listening levels from phones, dongles, laptops, and DAPs. Higher-quality sources can still improve refinement and control.

At roughly mid-300g, the Silva isn’t ultra-light, but reviewers frequently say it feels lighter on-head due to excellent weight distribution. Most report minimal fatigue from weight during extended sessions.

At about 350g the Bathys MG is not especially light, but most reviewers still find the weight well managed and comfortable in practice.