If you want better plot originality
Choose Dark Winds, Season 4. It scores 4.7 vs 2.3 for plot originality, with a 4.4 overall score.
Mating Season, Season 1 Review
Bottom Line
Choose Mating Season if you want raunchy adult animation with strong voice acting, oddball animal dating jokes, and some sincere friendship arcs. Skip it if repetitive sex humor, thin depth, or crude content turns you off.
Best for
Best for Big Mouth fans and adult-animation viewers who like fast, filthy relationship comedy with a warm friend-group core. It also has appeal for viewers looking for queer dating arcs in a surreal animated sitcom.
Not for
Not for viewers who dislike explicit sexual humor, profanity, cartoon gore, or gross-out gags. It is also a poor fit for anyone wanting subtle satire, family-friendly animation, or a major leap beyond familiar rom-com formulas.
Verdict
Mating Season Season 1 lands as a polarizing Big Mouth-adjacent adult animated rom-com. Its clearest strengths are the voice cast, the core friendship dynamic, and the animal-specific twists on dating, sex, and loneliness. Supporters find it funny, bingeable, queer-inclusive, and occasionally heartfelt, especially when Penelope and Fawn get more emotional material. The tradeoff is that many critics and YouTube reviewers think the show leans too heavily on repetitive gross-out sex jokes, familiar rom-com beats, and thin commentary. It has enough energy and cast appeal for fans of crude adult animation, but its raunch can overwhelm the story.
Feature Scorecards
Summary
43 reviewed features-
Very positive 4.5-5.010 (23%)
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Positive 3.5-4.410 (23%)
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Neutral 2.5-3.417 (40%)
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Negative 1.5-2.42 (5%)
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Very negative below 1.54 (9%)
Pros
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Animal behavior details work well for viewers who want the characters to feel species-specific rather than merely human sitcom types in fur. That grounding helps the absurd premise feel more purposeful.
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Queer and relationship representation is a notable bright spot for several viewers. Penelope’s lesbian self-discovery and the show’s open treatment of varied sexualities receive strong praise.
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Voice acting is one of the clearest strengths. Even mixed reviewers repeatedly single out the ensemble, especially Zach Woods, June Diane Raphael, Sabrina Jalees, and Nick Kroll, as energetic and well cast.
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Zach Woods and Sabrina Jalees draw the warmest praise among the leads. Their anxious, specific voice work makes Josh and Penelope feel more human than the show’s premise might suggest.
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The season has strong binge appeal for viewers who click with the premise. One skeptical viewer unexpectedly watched the whole thing, while another calls out binge potential for adult-animation fans.
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The closing episodes are among the better-liked parts of the season, especially for viewers who wanted serialized payoff. They bring the character arcs together more coherently than the setup initially promises.
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The finale earns points for connecting earlier threads that once seemed disposable. That payoff makes the serialized elements feel more intentional for viewers who stuck with the season.
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The finale lands well for at least one critic because it ties earlier pieces together and leaves a stronger aftertaste than the early episodes. It suggests the season had more structure than first impressions implied.
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The first episode’s sudden gross-out turn works for at least one viewer as a hook rather than empty shock. The surprise helped distinguish the show from generic adult animal cartoons for that audience.
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The opening theme stands out positively for at least one viewer. The music gives the season a stronger adult-rom-com identity than some of the individual musical material.
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The Big Mouth connection sets expectations and helps sell the show to existing fans. It feels spiritually related rather than a direct replacement, which helps some viewers and disappoints others.
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The animated staging gets credit for depth-of-field choices that highlight jealousy, competition, and physical comedy. Its visual composition does more than simply place animal characters on screen.
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Animal facts and mating behaviors add a lightly educational layer to the jokes. The trivia is framed as funny rather than instructional, but it gives the premise extra texture.
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The score receives limited but positive notice. It is not a major talking point, but one viewer specifically calls it quite good.
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The core friendship chemistry works for many viewers, giving the raunchy premise a warmer hangout-sitcom feel. Negative reactions argue some romances and early group dynamics lack enough believable connection.
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As adult animated sex comedy, the show satisfies viewers already tuned into Nick Kroll’s style. Others think it fails to balance raunch, romance, and commentary enough to stand out in the genre.
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Interest in renewal is mixed but present. Fans and some critics see room for Josh, Penelope, and the world to grow, while harsh detractors actively hope it stops.
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The series can surprise viewers with loneliness, insecurity, and friendship beats beneath the animal chaos. Still, several viewers feel the emotion is lighter than Big Mouth or gets punctured by jokes too quickly.
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Dialogue swings between polished, quick, and conversational for fans and gratingly crude for detractors. The best-liked lines are smaller throwaways, while the most disliked ones spell out jokes too aggressively.
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Early critical reception appears respectable rather than glowing. The consensus leans toward a watchable but imperfect successor with strong characters and humor but less depth.
Cons
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The series often uses a classic sitcom setup, splitting the friends into parallel romantic misadventures that meet back at the Watering Hole. Some praise the structure as tight and serialized, while negative viewers find certain episodes pointless.
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Several reactions describe a rocky or repetitive start that improves in the back half. The stronger finale stretch helps some viewers forgive the early unevenness, while others never warm to the pacing.
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Guest voices add fun when they create memorable romantic obstacles or oddball animal personalities. Less impressed viewers find some supporting characters too thin and sitcom-functional.
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Overall enjoyment ranges from must-watch enthusiasm to total rejection. Positive viewers enjoy the cast, pace, and weird relationship comedy; negative viewers find it boring, repetitive, or not worth the time.
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The look is highly divisive. Some praise the bright forest backgrounds, expressive animation, and eventual charm of the designs; others call the style corporate, ugly, or uninspired.
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The forest world is most praised when animal instincts shape dating, flirting, and social rituals. Criticism rises when the rules of clothing, jobs, species behavior, and civilization feel inconsistent.
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Audience fit is narrow but clear. Big Mouth fans and adult-animation viewers are the likeliest match; people turned off by crude sex comedy or familiar sitcom tropes should be cautious.
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The season-ending surprises create some appetite for more Penelope drama, but the cliffhanger is not universally admired. Supporters see future potential; detractors call it predictable and manipulative.
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Humor is the show’s biggest split: fans call it hilarious, bold, and well-timed, while detractors find the sex jokes repetitive, lazy, or gross without enough payoff. Enjoyment depends heavily on tolerance for crude adult animation.
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The pilot sells the premise clearly, but reactions are split. Some praise the dumped-after-hibernation hook as strong and enticing; others think the first episode is too crude and too thin to invite more watching.
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Character work is the main divider. Supporters like Penelope, Fawn, and the friend group as messy but lovable; critics say Josh, Ray, and some arcs stay underdeveloped or reset too easily.
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The story works best when it turns animal dating into recognizable heartbreak, friendship, and romantic chaos. Detractors find too many arcs familiar, thin, or undercut by raunch before they can land.
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The show touches modern dating, identity, grief, loneliness, and queer community, but opinions differ on depth. Fans find realistic stings under the chaos; critics say it rarely reaches beyond sex jokes.
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Sexual content is the defining trait, and approval depends on taste. Fans call the raunch bold or surprisingly balanced; detractors say it overwhelms story, humor, and comfort.
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Writing quality is uneven across the response. Some praise the later-season voice and relationship dynamics, while critics complain about surface-level jokes, lazy lessons, and weak commentary.
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The premiere’s rapid pace works for viewers who like fast joke density, but harsher takes call the episodes slow or exhausting. The show is at its most divisive when it piles gags on top of relationship beats.
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The ten-episode season is enough for the premise to build arcs, but the length can also expose repetition. One critic felt the half-hour episodes made the formula wear thin.
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The animal-world dating hook gives the series a memorable angle, but many writers feel it leans too hard on familiar rom-com and adult-cartoon formulas. The most positive takes credit the animal behavior twists for adding freshness.
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Animation draws both praise and criticism. Supporters see polish, expressive movement, and improved design compared with related shows, while harsher viewers find the characters stiff, bland, or unattractive.
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This is plainly not family-friendly viewing. Content-focused reactions stress raunch, strong language, and sexual situations as central to the experience.
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The content is firmly adult. Sexual situations, profanity, violence, and crude discussion make it unsuitable for younger viewers despite the cartoon format.
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Profanity is frequent and strong enough to matter for content-sensitive viewers. The language reinforces the TV-MA tone rather than softening the adult material.
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The pilot includes graphic cartoon violence that some content-focused viewers flag as harsh. The violence is played for shock comedy, but it can be too much for sensitive viewers.
Compared With Category Average
Compared with other TV Shows, this product is above average in realism, continuity, finale satisfaction, near average in acting quality, bingeability, below average in violence level, animation quality, language level.
Summary
43 compared features-
Above average 0.4+ pts higher7 (16%)
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Same as average within 0.3 pts9 (21%)
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Below average 0.4+ pts lower27 (63%)
Largest category differences
| Attribute | This product | Category average | Difference |
|---|---|---|---|
| violence level | 1.0 | 3.2 | -2.2 |
| animation quality | 2.2 | 4.2 | -2.0 |
| realism | 5.0 | 3.3 | +1.7 |
| language level | 1.0 | 2.6 | -1.6 |
| age appropriateness | 1.0 | 2.5 | -1.5 |
| plot originality | 2.3 | 3.5 | -1.2 |
| theme depth | 2.7 | 3.9 | -1.2 |
| character development | 2.8 | 3.7 | -1.0 |
Consider This Instead
If you want better episode pacing
Choose Maximum Pleasure Guaranteed, Season 1. It scores 4.3 vs 2.5 for episode pacing, with a 3.8 overall score.
If you want better violence level
Choose It’s Not Like That, Chapter 1. It scores 4.5 vs 1.0 for violence level, with a 4.5 overall score.
If you want better humor
Choose Alice and Steve, Season 1. It scores 4.1 vs 2.9 for humor, with a 3.7 overall score.
Compared in Reviews
Products reviewers directly compared with this model, grouped into quick takeaways.
Big Mouth
- Better: expected popularity The review doubts Mating Season will match Big Mouth’s scale even while warming to it.
- Similar: crude comedy appeal The reviewer says people who enjoyed Big Mouth’s comedy are likely to enjoy Mating Season’s humor too.
- Compared: creative lineage and raunchy tone The review frames Mating Season as unofficially related to Big Mouth, sharing creators and raunch without matching its insight.
Bojack Horseman
- Better: animation quality The reviewer says Bojack Horseman looks much better than Mating Season.
- Compared: visual style The reviewer wishes Mating Season looked more like Bojack Horseman instead of using an overdone adult-cartoon style.
- Better: season-one payoff The reviewer says Mating Season does not deserve the patience they would give Bojack Horseman.
Family Guy
- Compared: adult animation formula The review sees the show as chasing a dated Family Guy-style provocation that no longer feels fresh.
FAQ
Is Mating Season Season 1 like Big Mouth?
Yes, many reviewers describe it as sharing Big Mouth’s raunchy tone, creative team, and joke rhythm. It shifts the focus from puberty to adult dating and animals, which some find fresh and others find less meaningful.
Is the show funny?
It depends on your tolerance for crude comedy. Fans call the jokes bold, polished, and hilarious, while detractors say the sex jokes become repetitive and lazy.
How strong is the voice cast?
The voice cast is one of the season’s clearest strengths. Zach Woods, Sabrina Jalees, June Diane Raphael, Nick Kroll, and several guest voices receive repeated praise.
Does the season improve as it goes?
Several reviewers say the first episodes are rocky but the back half and finale are stronger. Others remain negative throughout, especially when the raunch keeps dominating the story.
Is Mating Season appropriate for kids?
No. Multiple sources point to frequent sexual content, strong language, drinking, crude body humor, and violent cartoon moments, making it adult-oriented despite being animated.
What is the biggest weakness?
The most common weakness is balance. Critics often say the show has promising relationship ideas and characters but relies too much on gross-out sexual humor and familiar sitcom plots.
Sample Expert Reviews We Analyzed
These are a few of the reviews included in our analysis.
Video Reviews
YouTube - Cinephilia
Article Reviews
thegameofnerds.com
- Review score
- 4.4
polygon.com
- Review score
- 2.8
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