Several reviewers highlight target-curve or reference-leaning balance and good tonal accuracy. Fit and seal still matter, with small positioning changes affecting bass and lower-mid response.
Measurements and listening impressions generally align on a well-tuned response for broad appeal, with small deviations (notably bass lift) that can be refined via EQ.
Hi-Fi mode is commonly described as balanced and relatively uncolored, while Bass mode shifts the tonality warmer and can slightly reduce upper-mid and treble prominence.
The frequency balance is commonly characterized as neutral-to-crowd-pleasing, aided by Adaptive EQ and fit-dependent tuning. Most reviewers find it consistent and natural, even if not fully customizable.
Tuning is usually characterized as close to neutral with a touch of warmth or bass lift; a couple of reviews suggest the default EQ can feel a bit restrained until adjusted.
Tonal balance is often described as slightly warm rather than strictly neutral; DynamEQ and the SE retune can shift bass/treble balance, so accuracy depends on settings.
Tuning is broadly balanced with a mild upper-frequency emphasis that favors detail and competitive cues. Multiple notes point to less sub-bass than many closed-backs and occasional treble unevenness.
Tonal balance is described as neutral-with-warmth by several outlets, while others report noticeable swings and a more consumer-friendly curve. Overall, it is closer to balanced than purely V-shaped, but not a strict reference-flat tuning.
Measured or described tuning is close to neutral with a modest bass lift and some upper-mid/treble shaping. Most agree it responds very well to EQ if you want to fine-tune accuracy.
Tuning is described as broadly balanced and inoffensive, with the ability to correct the signature via EQ; some note small tonal shifts when ANC is enabled.
Measured/tonal accuracy is broadly good, but several reviewers note a mild upper-mid/high underemphasis that can read as less crisp detail out of the box. Personalization tools and EQ can compensate, and many still find the tuning musically pleasing.
Frequency response out of the box is commonly described as V-shaped rather than neutral. With the right preset or custom EQ, several reviewers say it can get much closer to balanced listening.
Tonality can be shaped into a more balanced response with CustomTune and light EQ, but out of the box many characterize it as a V-shaped or slightly dark consumer tuning rather than strictly neutral.
Measurements and subjective impressions suggest the default tuning is gaming-optimized rather than strictly neutral. Reviewers commonly recommend EQ to smooth peaks and achieve a more balanced frequency response for mixed use.
Tuning is widely described as more balanced than older Beats, but still stylized with boosted lows and bright highs rather than strict neutrality. Purist listeners may prefer a more accurate, less sculpted alternative.
Frequency response accuracy is not a priority here: multiple reviews describe a built-in V-shaped or bass-forward curve that does not fully conform to neutral targets even with presets.
Frequency response and tonal balance are seen as less strictly neutral than Pro 2, with some reviewers noting a more V-shaped or bass-forward tilt. Fit and listening volume can noticeably change perceived balance.
Measured and subjective impressions frequently point to a non-neutral stock response (often described as dark), with EQ being the practical path to a more accurate balance.
Frequency response accuracy is described as consumer-tuned rather than neutral, with boosted bass and some upper-range shaping that not everyone enjoys.
Frequency response accuracy is divisive: some praise a balanced, natural tuning once updated, while others cite measured or perceived tonal issues out of the box that may require firmware and EQ.
Frequency balance is polarizing: some call it even-handed, while measurement-driven reviews point to large deviations (bass and treble boosts and a vocal region dip).
Frequency response accuracy is a recurring critique: several reviews describe a non-neutral, gaming-first curve with missing ear-gain style presence and other deviations. This is a major reason music listening is often rated only okay without EQ.