Best 2025 Video Games for sound design

#1

Sound design was a standout, with material-specific impacts, rumble-like feedback, voice, and destruction audio repeatedly praised.

#2

Sound design was praised for punchy hits, crunchy feedback, and strong audiovisual pairing.

#3

Sound design is praised for dynamic musical interaction, strong audio identity, and music that changes with combat events.

#4

Sound design evidence was strongly positive, emphasizing exceptional audio, tension-building environmental sound, and fantastic sound design.

#5

Sound design earns strong support from praise for surface-specific details and top-notch audio touches.

#6

Sound design gets positive preservation-focused praise because the original arcade sounds are retained.

#7

Sound design had limited but very positive evidence, with one review praising nuanced audio across items and environments.

#8

Sound design was the most consistently praised attribute, repeatedly described as excellent, informative, immersive, and tension-building.

#9

Sound design was one of the strongest areas, repeatedly praised for unsettling effects, directionality, ambience, and its role in horror tension.

#10

Sound design is very highly rated for immersive environmental audio, rain, wind, footsteps, and overall atmosphere.

#11

Sound design was a major strength, especially spatial thought-reading audio, headphones, foley, and soundscapes that support the story.

#12

Sound design is consistently praised for environmental audio, combat effects, and the way it supports immersion.

#13

Sound design was praised for supporting atmosphere, alien spaces, and the Prime identity.

#14

Sound design is praised for impact, weapon clashes, parry sounds, and matching the game’s brutal tone.

#15

Sound design was consistently strong, with reviewers praising enemy audio, ambient terror, and atmospheric cues that heighten tension.

#16

Sound design earned strong praise for Pokémon-specific footsteps, cries, and small audio details.

#17

Sound design was consistently praised for environmental grounding, atmosphere, and integration with movement and effects.

#18

Sound design was praised for combat impact, monster audio, and the overall sensory presentation of hunts.

#19

Sound design was strongly praised for syncing with art, building tension, and enhancing atmosphere.

#20

sound design was one of the strongest points, repeatedly praised for weapons, vehicles, and explosions.

#21

Sound design was praised for cute brick vocalizations, satisfying LEGO noises, and music/sound cues that convey character.

#22

Sound design receives praise for 3D audio, immersion, and effects that strengthen encounters.

#23

Sound effects and audio presentation drew positive comments, including one review calling the whole presentation beautiful.

#24

Sound design receives direct praise in one review for fantastic effects alongside strong voice work.

#25

Sound design was praised where discussed, especially for recreating the Tears of the Kingdom aesthetic through familiar effects.

#26

Sound design was praised for supporting immersion and helping players identify attacks or stealth-relevant cues.

#27

Sound design was praised for impactful effects, combat feedback, and strong weapon audio.

#28

Sound design is praised for crisp effects, vicious attacks, and useful audio feedback.

#29

Sound design was praised in combat and timing feedback, though one review criticized mundane traversal sounds.

#30

Sound design was generally strong, with praise for heavy feedback and crunchy effects, though one reviewer found effects too soft.

#31

Sound design was generally praised as strong and in line with Elden Ring quality.

#32

Sound design is mostly praised for clean combat readability, strong audio mix, and punchier weapon sound, with one audio-cutting complaint.

#33

Sound design received positive notes for memorable effects and environmental detail, with one small caveat around missing ride sounds.

#34

Sound design and radio presentation were praised for adding flavor and helping scenes land.

#35

Sound design was only lightly discussed, but cleaned-up effects and preserved audio earned modest praise.

#36

Sound design was mostly positive for soundscape and cinematic effect, though one review reported overlapping audio issues.

#37

Sound design was more mixed: some reviewers praised satisfying effects, while one found audio cues flat or missing.

#38

Sound design is mixed: impact feedback and combat audio are praised, but one reviewer strongly disliked the harsh radio or speaker filter.

#39

Sound design was mixed, with one complaint about off-putting audio and another positive note on environmental sound.

#40

Sound design is mixed, with cozy effects and soundtrack praise offset by harsh criticism of repeated soundbites.

#41

Sound design had limited evidence, with one reviewer noting odd audio dips that disrupted flow.